![]() As a result, this album never stops winning". On Occult Classic, Kill The Noise turns left, shoots straight, and never stops scoring. Marcus Dowling of LessThan3 generally liked the album, stating: "When veteran DJs become inventive producers, the opportunity for well-delivered, sometimes fanciful, and consistently fantastic productions emerges. Lucas Sachs of Your EDM described the song as Dolphinstep and noted the song for its "Skrillex-esque bounce vibe". On the other hand, David Klemow described "Dolphin on Wheels" as "an entire season of Spongebob Squarepants packed into a song", further stating: "Kill The Noise reserves a spot on his introductory record for a quick little jab at electronic music, pulling in perennial prankster Dillon Francis on the gag". Michael Sundius of Dancing Astronaut described "I Do Coke"'s music video a "stirring visual narrative to the song's oft-overlooked satire", stating: "As you'd expected from the off-kilter collaboration, the video is a dark, drug-induced thrill ride that only gets stranger as it goes on". Reception and release ĮDM.com reviewed "Kill It 4 The Kids", stating "The track is a headbanging piece of EDM thrash, featuring his heavily distorted signature synth work, hard-hitting trap beats, and shouted vocal samples". Problems playing this file? See media help. The main character in this story has found himself stuck on an endless merry-go-round that goes nowhere. In this story, the message is that if you aren't careful, you can become figuratively (and literally) consumed by your lifestyle of addiction. ![]() Stanczak clarified the music video's intentions, stating: which was criticised for its glorification of drug usage. The song was released alongside a music video directed by Brandon Dermer, produced by Anthem Films, and stars Tom Sandoval as a cocaine abuser. ![]() On 4 April 2015, OWSLA released a collaboration between Kill the Noise and Feed Me titled I Do Coke as the first single from Stanczak's upcoming album, Occult Classic. Creatively, that's just a really restrictive place to be. Especially in dance music, people just want to get their head blown off in the first 15 seconds. There's all these demos that I had been writing that I had been afraid to put more time into because I didn't feel like it was stuff that people would understand. I had ended up in a place where I started feeling like I was rewriting stuff that I'd already done before. In an interview with Nick Murray of Rolling Stone, Stanczak commented on his musical direction he has taken for Occult Classic, stating: They're never a huge departures but they're clearly different directions. The thing is, if you follow my Kill The Noise stuff since 2007 you’ll know it's always changing. I wanted something that lasted and was a bit clever. I went through so many ideas over the last year and a half. I had all these ideas and tried a bunch of things and wrote names and had it pretty much decided. In an interview with Dave Jenkins of UKF, Stanczak commented on the album title and artwork style, stating: ![]() And after close to a year of trying to balance the two, I started to realize, if I'm really serious about putting an album together, I’ve got to pull myself off the road for a period of time to really go in and get a vibe. I had been working on a bunch of new ideas, and I guess there was a point where I was like, "this is definitely something." The first nine months or so was just me really trying to find time to work in the studio - I was doing a lot of touring. I started working on the album close to two years ago. In an interview with Elias Leigh of Billboard, Stanczak commented on the start of the production process of Occult Classic, stating: Occult Classic was later followed up by a 15-track remix album titled Alt Classic (stylised as ALT CLASSIC) released on. Occult Classic was released on 9 October 2015, by American electronic music label Owsla. Occult Classic (stylised as OCCULT CLASSIC) is the debut studio album by American electronic music producer Kill the Noise. ![]()
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